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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Bon Scott & Angus Young, Atlanta, Georgia

Bon Scott & Angus Young, Atlanta, Georgia

Bon Scott & Angus Young, Atlanta, Georgia

Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010)

Portrait, gelatin silver photograph, selenium toned on paper

Purchased 2010

Angus Young, AC/DC, LA

Oz Rock

Gettin’ robbed, gettin’ stoned, gettin’ beat up, broken boned

General content

Two of the music industry’s highest-selling performers originated in suburban Australia. The Bee Gees started out in Brisbane, for instance, and AC/DC played their first gigs at a nightclub in inner Sydney.

Self portrait

Percy Leason

Percy Leason, artist, illustrator and cartoonist, grew up in Victoria's Wimmera region and trained in the rudiments of art in Nhill.

1 portrait in the collection

The Awakening (Self portrait)

Vlase Zanalis

Palassis (Vlase, Vlazio or Vlasio) Zanalis (1902–1973) arrived in Western Australia as a twelve-year-old, accompanied by an uncle, from the Greek island of Kastellorizo in 1914.

1 portrait in the collection

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Finalists announced for National Photographic Portrait Prize

14 November 2018

Archived media releases 2018

The National Portrait Gallery would like to congratulate the forty finalists for the National Photographic Portrait Prize 2019.

The Textiles Scientist, 2018 by Kate Atkinson

Textiles Scientist Voted the People’s Favourite

Archived media releases 2019

The black and white portrait of an elderly woman with sidelong glance and irreverent, contemplative smile has taken out the people’s choice award in this year’s National Photographic Portrait Prize.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

The mahi-mahi, 2019 Rob Palmer

National Photographic Portrait Prize 2020

Previous exhibition, 2020

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Archived media releases 2018

Images for media use will be available from 8 March 2018.

Paul Grabowsky

Feel the music

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.

Portrait of Kym Bonython/Portrait of Mr Bonython's speedway cap

Somewhere to hang your cap

Magazine article by Beatrice Thompson, 2007

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.

Wainburranga (Paddy Fordham)

Big shots

Magazine article by Djon Mundine OAM, 2017

Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.

Joan Kirner

Joan Alone

Magazine article by Julia Gillard AC, 2015

Julia Gillard pays poignant tribute to her friend and mentor, the late Joan Kirner, Victoria’s first and only female premier.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Statesmen, No. 4

Meeting by Murder

Magazine article by Yvonne Audette AM, 2005

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency